Robert James Burgoyne

Idiomas

Áreas de atuação

Produções bibliográficas

• BURGOYNE, R. . Color in the Epic Film: Alexander and Hero. REBECA. Revista Brasileira de Estudos de Cinema e Audiovisual , v. 1, p. 14-39, 2012.

• BURGOYNE, R. . Embodiment in the War Film: Paradise Now and The Hurt Locker' in 'War and the Body. Journal of War and Culture , v. 1, p. 7, 2012.

• BURGOYNE, R. . Introduction: re-enactment and imagination in the historical film. Leidschrift , v. 24, p. 7-18, 2009.

• BURGOYNE, ROBERT . The balcony of history. Rethinking History , v. 11, p. 547-554, 2007.

• BURGOYNE, ROBERT . Ethnic Nationalism and Globalization. Rethinking History , v. 4, p. 157-164, 2000.

• BURGOYNE, R. . National identity, gender identity, and the 'rescue fantasy' in Born on the Fourth of July. Screen , v. 35, p. 211-234, 1994.

• BURGOYNE, R. . Le narrateur au cinema: logique et pragmatique de la narration impersonnelle. Poetique , v. 87, p. 271-288, 1991.

• BURGOYNE, R. . The Interaction of Semantic Deep Structure and Text in the Production of Filmic Characters. Iris , v. 7, p. 69-80, 1986.

• BURGOYNE, ROBERT . The Somatization of History in Bertolucci's "1900". Film Quarterly , v. 40, p. 7-14, 1986.

• BURGOYNE, ROBERT . Enunciation and generic address. Quarterly Review of Film Studies , v. 10, p. 135-142, 1985.

• BURGOYNE, ROBERT . Narrative and Sexual Excess. October (Cambridge, Mass.) , v. 21, p. 51-61, 1982.

• BURGOYNE, R. (Org.) . The Epic Film in World Culture. 1. ed. New York and London: Routledge, 2011.

• BURGOYNE, R. . The Hollywood Historical Film. 1. ed. London and Malden: Wiley-Blackwell, 2008.

• BURGOYNE, R. . Film Nation: Hollywood Looks at U.S. History: Revised Edition. 1. ed. Minneapolis and London: University of Minnesota Press, 1997.

• BURGOYNE, R. ; STAM, R. ; FLITTERMAN-LEWIS, S. . New Vocabularies in Film Semiotics: Structuralism, Poststructuralism, and Beyond. 1. ed. London: Routledge, 1992.

• BURGOYNE, R. . Bertolucci's 1900: A Narrative and Historical Analysis. 1. ed. Detroit: Wayne State University Press, 1991.

• BURGOYNE, R. . Generational Memory and Affect in Letters From Iwo Jima,". In: Robert Rosenstone; Constantin Parvulescu. (Org.). The Blackwell Companion to The Historical Film. 1ed.Malden: Wiley-Blackwell, 2013, v. , p. 349-364.

• BURGOYNE, R. . From contested to consensual memory: the Rock and Roll Hall of Fame and Museum. In: Katharine Hodgkin;Susannah Radstone. (Org.). Frontiers of memory. 1ed.London: Routledge, 2003, v. , p. 208-220.

• BURGOYNE, R. . Memory, History, and Digital Imagery in Contemporary Film. In: Paul Grainge. (Org.). Memory and Popular Film. 1ed.Manchester: Manchester University Press, 2003, v. , p. 220-236.

• BURGOYNE, R. . Modernism and the Narrative of Nation in JFK. In: Vivian Sobchack. (Org.). The Persistence of History. 1ed.London and New York: Routledge, 1995, v. , p. 113-126.

• BURGOYNE, R. . The War Film as a Mode of Historical Thinking: Generational Memory in Letters From Iwo Jima. 2013. (Apresentação de Trabalho/Conferência ou palestra).

• BURGOYNE, ROBERT . The Violated Body: Affect and Somatic Intensity in Zero Dark Thirty. 2013. (Apresentação de Trabalho/Conferência ou palestra).

• BURGOYNE, ROBERT . Self-Sacrifice in Contemporary Film. 2012. (Apresentação de Trabalho/Conferência ou palestra).

• BURGOYNE, ROBERT . Generational Memory and Affect in Letters From Iwo Jima. 2012. (Apresentação de Trabalho/Conferência ou palestra).

• BURGOYNE, R. . Affect, Embodiment, and Generational Memory in Letters from Iwo Jima. 2011. (Apresentação de Trabalho/Conferência ou palestra).

• BURGOYNE, R. . Self-sacrifice in Letters from Iwo Jima,. 2011. (Apresentação de Trabalho/Conferência ou palestra).

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